Disclaimer: My exploration of the rise and fall of Dionysus is a work in progress. While it necessarily touches on religion (Greek mythology and Christianity), my inquiry is more about the passing of time and how Dionysus (as an archetype was suppressed).

Musical Accompaniment: Cold Play, Viva la Vida or Death and All His Friends

How does a seemingly magnificent culture like ancient Greece fall after attaining such heights of grandeur and enlightenment? More specifically, what became of the Greek god, Dionysus? To the Greeks, Dionysus was the god of wine, patron god of the theatre and represented spiritual ecstasy, fertility, flow of energy in the dancing universe, and the cycle of life. To touch Dionysus was to enter into the realm of the spirit and experience the transcendent ecstasy of union with the divine. How did he fade from the spiritual world of the Greeks and all those who once worshipped this god?

Dionysus - 6 v4

The worship of Dionysus wasn’t an obscure cult following. His influence had spread across Asia and Europe with an impassioned following by 1300 BC. Traces of Dionysus are found in gods of ancient civilizations (Crete, Egypt, and India) predating this period possibly as far back as 8,000 BC. By 600 BC, the Greeks had placed Dionysus among the pantheon of Olympian gods. The Greeks had temples, rituals, and multiple festivals dedicated to Dionysus.

Greek Sovereignty

Before the rise and unifying influence of Alexander the Great, Greece consisted of loosely connected regional powers known as city-states (e.g., Athens and Sparta). Alexander’s reign provided a national government to manage Greek society and expanded its influence. With the death of Alexander the Great, there was a loss of national unity and regional city-states reemerged as centers of power.

These Greek city-states fought against one another for power and control. Intermittently, they also sought the aid of Rome in these conflicts. That is, the Romans would serve as an ally with a Greek city-state in conflicts against other Greek city states. Compared to the Persians, for whom the Greeks often united and fought against as one, the Romans were viewed by the Greeks as being somewhat similar in culture to themselves and not an inferior or oppressive society. Through a series of wars and alliances over four centuries between approximately 300 BC – 100 AD, Greece was ultimately absorbed into the Roman empire.

Life in Greece under the Roman Empire was much the same as it always been. In fact, it is was the longest period of peace the Greek’s had experienced and it was also a period of great prosperity. Culturally though, it was as if Greece had conquered Rome. Greek language became a favorite among the educated and elite in Rome. Greek literature, philosophy, and architecture were also widely embraced as well as elements of the Greek gods. Many temples and public buildings continued to be built in Greece by Roman emperors and wealthy Roman nobility to include sites dedicated to the Greek gods.

Phallus Worship 4

It was common for ancient civilizations to recognize elements of their own gods in those of other civilizations. Often, the traits of these deities were merged. Over time with Roman conquest, the Romans perverted Dionysus into Bacchus where he came to be synonymous with drunken orgies. Dionysus was no longer the god of wine and transcendent spiritual ecstasy, he was Bacchus – the god of drunkenness. The nuanced essence of the dual-formed Dionysus and the counter-balancing force of divine ecstasy to divine madness was lost.

While the Romans perverted Dionysus into Bacchus, they elevated Apollo, the god of light, who had at one time been honored equally with Dionysus at Delphi. Apollo gradually came to represent analytical thought and the preservation of law and order. The chief god was now officially found in the sky as the sun god, Apollo.

On Earth, the influence and celebration of the nature god – Dionysus – was marginalized by the ruling powers. The unpredictable, irrational, ecstatic Dionysus had no place in this scheme and became the enemy of it. Still, Bacchus had a devoted, organized, and well-funded following of women known as Bacchantes. These women were known as Maenads in ancient Greece.

Maenad - 12

The worship of Bacchus eventually reached a state where the controlling power viewed Bacchus as a destructive force of divine madness and a danger to the Roman state. Around 186 A.D., the Romans began systematically to persecute the worshippers of Bacchus–the Bacchantes. The Bacchantes were charged with immoralities and crimes and thousands were executed. The Roman senate eventually banned the Bacchanalia—which had formerly been the very popular Dionysian festivals.

The Rise of Christianity

As Roman control of western Europe fell to the Visigoths in 400 AD, much of the eastern Roman empire remained with its strongest base in Greece. During the period 100 – 400 AD, Greece and much of the remaining Roman empire came under the influence of early Christianity. What became of Dionysus in this time of Roman influence and the eventual adoption of Christianity?

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With the rise of Christianity in the Roman empire, depending on source you read, both Bacchus and Apollo were eventually cast as the devil. This reflects the divine madness of Bacchus but fails to capture the zoe (spirit of life) and transcendent spiritual ecstasy of Dionysus that the Greeks embraced.

Christianity restored balance to the ecstatic transcendent principle in the figure of Christ. The dual-natured Dionysus—as a psychological archetype (timeless, perhaps innate patterns of human thoughts and dreams)—was split in half and channeled into both the Devil and Christ. Dionysus had been both to the Greeks.

There is actually a surprising amount of literature exploring the connection of Dionysus to Jesus to include the origin stories. Dionysus was the son of Zeus, the supreme Greek god. Dionysus was born of a mortal mother and Zeus. Dionysus was killed, resurrected, and ascended to Olympus to sit at the right hand of Zeus. Among the Olympian gods, Dionysus was the only god to have walked among us on earth with a mortal existence and performed miracles…such as turning water into wine. The worship of Dionysus included drinking wine – the blood of Dionysus. The worship of Dionysus, in part, was about seeking transcendence of the spirit and preparation for the afterlife.

Cognitive Dissonance

The break in the duality of Dionysus as a consolidated archetype presents some of us with psychological challenges…especially when it comes to sexuality. Some of us feel shame about our physical desires because we want to be “good” people. Perhaps we feel unworthy of divine spiritual ecstasy because we have impure thoughts. We have a sense that we in some way should be suffering and sacrificing in our worldly existence to reap rewards in the afterlife.

The Greeks, through Dionysus, didn’t have this cognitive dissonance because sexuality wasn’t viewed as a “sin”. It was a necessary and encouraged aspect of human nature. The Greeks believed in celebrating life and attaining states of transcendent ecstasy on earth, touching the divine for moments in preparation for the afterlife.


Psychologically, the loss of Dionysus as a unified archetype is also the triumph of rationality over irrationality; thinking over feeling; the concrete “masculine” ideals of power, aggression, and progress over the intangible “feminine” values of receptivity, growth, and nurturing. It is the elevation of Apollo by the Romans as patriarchal religions gained in power as the displacement of the matrifocal ways of Dionysus were discouraged, diminished, and finally lost.

Perhaps it was necessary to suppress Dionysus – certainly Bacchus – in order to nurture the rational, organized, knowledge-seeking world of Apollo and attain the progress we have made. But, it has come at a cost and there seems to be a unfulfilled spiritual yearning rising in our collective unconsciousness…even in emerging in our consciousness.

Symptoms of denied spiritual ecstasy (madness) are also on the rise and we see it daily in the news as madness envelopes individuals and even portions of some societies. There is however an emerging and counter-balancing force. The rising popularity of Yoga, mindfulness, ecstatic dance, meditation, and eastern philosophy/practices are examples of more people seeking deeper spiritual connection and meaning. The latter is a rising current of Dionysian energy.

When I first began my journey for deeper meaning, I carried around a vision in my head that I couldn’t quite get my mind around. It was filled with contrast and duality. It existed on the edges of spectrum with opposing energy forces that created a wonderful tension in the center. It was light and darkness, sensual and primal, and almost any two opposing forces you could imagine. At the time, I wasn’t aware of Dionysus and created this piece of digital art.

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I’m still fascinated by this work and how so many elements of Dionysus are flowing through it…to include the zoomorphic vision. Archetypes are timeless patterns of human thought and dreams. The don’t die, they simply morph with time to return to us in different forms and with different names.

For more of my mythology/psychology focused content, please visit here – Dionysus

Sources used to inform this writing:

  • Ecstasy, Understanding the Psychology of Joy, by Robert Johnson
  • Gods of Love and Ecstasy, The Traditions of Shiva and Dionysus, by Alain Danielou
  • Dionysus, Exciter to Frenzy, by Vikki Bramshaw

7 thoughts on “Dionysus – The Rise and Fall (and Rise)

  1. […] I’ve been working on a post, The Rise and Fall of Dionysus and the above image was inspired by that writing. The central questions I wanted to learn more about were how a great civilization like Greece fades and what became of their gods? My findings are available as a “work in progress” here: Dionysus – The Rise and Fall (and Rise). […]

  2. I do see the safety of Apollo but yearn for something (everything) from Dionysus.

    1. Thanks for giving this one a read. It’s not exactly a sexually stimulating post but I needed to try and connect a few dots. Your comment, I believe, shows great self awareness. Awareness of Apollo makes the yearning for more that much more intense as we step into the wild to touch Dionysus.

      1. I love history.
        All that self-awareness is courtesy of your dissections of myth and careful surgery of human experience and longing.

        1. Wow Carly, I really appreciate this comment. While not sexual, it still took my breath away. You know the totality of my work like very few do and for this to be one of the overarching themes that sticks with you is so very meaningful and special to me. Thank you 💞

          1. I could describe for you exactly what I yearn for😏🤭🤤. However, I’ve learned if I’m quiet and studious🤓you teach me more about myself than I have the mental acuity to even imagine.

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